Programming Action |
Subtractive Synthesis |
FM Synthesis |
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| change the basic sound color (spectrum) |
- select VCO waveform (square, pulse, saw, triangle)
- set pulse width
- select the interval between oscillators
- set volume mix between oscillators
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- select FM algorithm type
- select ratio between modulators and carriers
- set amount of modulation (modulator output level)
- select the interval between carriers
- set volume mix between carriers
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set trumpet-like spectrum
(all partial tones: 1-2-3-4-5-6-7 ...) |
- select sawtooth as VCO waveform
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- select 1:1 as ratio between modulator and carrier
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set clarinet-like spectrum
(only odd partial tones: 1-3-5-7-9-11 ...) |
- select square as VCO waveform
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- select 2:1 as ratio between modulator and carrier
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| make unharmonic wave spectrum |
- set an odd interval and detune between oscillators
- note: on standard subtractive synths, a completely unharmonic spectrum
cannot be created
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- set a non integer value for the modulator to carrier frequency ratio
- set an odd interval and detune value between carriers
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| make harmonic wave spectrum |
- set a pure interval (octave, fifth) for the coarse pitch of the VCOs
- set very little or no detune between oscillators
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- set an integer value for the modulator to carrier frequency ratio
- set a pure interval (octave, fifth) across carriers
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| add noise |
- set one of the VCOs to "noise", or
add "noise" to the mix stage
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- set one of the modulators feedback to a high value
- on NI FM7, add "noise" from operator X
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| make the sound color "brighter" (more harmonics) |
- if using a LPF or BPF type filter, open the cutoff
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- increase the amount of modulation between modulators and carriers
(= increase modulator output level)
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| make the sound color "darker" (less harmonics) |
- if using a LPF or BPF type filter, close the cutoff
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- decrease the amount of modulation between modulators and carriers
(= decrease modulator output level)
- on NI FM7, you can also close the cutoff of the LPF filter in operator
Y
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change the dynamic character over time
for example: make the dynamic character "percussive" |
- set the following parameters of the VCA envelope (volume, amplitude)
as follows:
- Attack time > short
- Sustain level > 0
- Decay and Release: set adequate times (usually longer for decay,
shorter for release)
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- set the following parameters of the carrier envelopes as follows:
- Attack time (Rate 1) > short (or as rate, fastest)
- Sustain level (Level 3) > 0
- Break Point (Level 2): set as desired
- Decay and Release: set adequate times (R2, R3, R4)usually longer
for decay, shorter for release)
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change the sound color over time
for example: make the sound color character "percussive" |
- apply a modulator envelope to the VCF cutoff
- set the parameters of the VCF envelope (volume, amplitude) as follows:
- Attack Time > short
- Sustain Level > 0
- Decay and Release: set adequate times (usually longer for Decay,
shorter for Release)
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- set the parameters of the modulator envelopes as follows:
- Attack Time (Rate 1) > short (or as rate, fastest)
- Sustain level (Level 3) > 0
- Break Point (Level 2): set as desired
- Decay (R2), Slope (R3) and Release (R4): set adequate times (usually
longer for Decay, shorter for Release)
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| create complex sound spectra that change over time (morphing type) |
(not available) |
- set different ratios and different envelopes times for different modulators,
so that they affect the carrier spectrum in different phases
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| create a "pitch sweep" |
- apply a modulation envelope to the VCO pitch
- set the envelope values as desired
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- apply a modulation envelope to the carrier pitch
- set the envelope values as desired
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| make the sound volume change with keyboard velocity (stronger
= louder) |
- set the VCA envelope keyboard velocity to a positive value
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- set the carrier(s) envelope keyboard velocity to a positive value
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| make the sound spectrum change with keyboard velocity (stronger
= brighter) |
- apply a modulator envelope to the VCF cutoff
- set the VCF envelope keyboard velocity to a positive value
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- set the modulator(s) envelope keyboard velocity to a positive value
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| create a vibrato |
- modulate the VCO pitch with an LFO, making sure the modulation amount
does not exceed +/- 10-20 cents
- set the LFO wave to triangle
- set the mod. speed to about 4-6 Hz
- set an adequate amount of delay
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- modulate the carrier pitch with an LFO, making sure the modulation
amount does not exceed +/- 10-20 cents
- set the LFO wave to triangle
- set the mod. speed to about 4-6 Hz
- set an adequate amount of delay
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| create a wah-wah effect |
- modulate the VCF cutoff with an LFO
- set the LFO wave to triangle or square
- set the mod. speed as desired
- set an adequate amount of delay (also 0 is OK)
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- modulate the modulator output level with an LFO
- set the LFO wave to triangle or square
- set the mod. speed as desired
- set an adequate amount of delay (also 0 is OK)
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| create a tremolo effect |
- modulate the VCA amplitude with an LFO
- set the LFO wave to triangle or square
- set the mod. speed as desired
- set an adequate amount of delay (also 0 is OK)
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- modulate the carrier output level with an LFO
- set the LFO wave to triangle or square
- set the mod. speed as desired
- set an adequate amount of delay (also 0 is OK)
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| more to come! |
more to come! |
more to come! |